The piece shows bharatanatyam as it is often presented in a solo format, and will take us on the journey of Mother Earth from birth to destruction, preparing us for Her deliverance through The Rite of Spring.Īccompanied with a recorded score by Bournemouth Symphony Orchestra, this is a Rite of Spring but not as you know it. As an added feature, Seeta Patel will open the evening’s show with a solo performance accompanied by South Indian musicians. This is a rare chance to see bharatanatyam performed in an ensemble piece.
Spirit Realms Sacred & Profane, Sydney Symphony Orchestra, Sydney Opera House. This is a spiritual exploration of a work through an Eastern philosophical lens. Vivaldis motet for soprano, strings and continuo RV 632 Sum in medio. Unusually, this version subverts tradition by choosing a male as The Chosen One, elevating him to a deity to whom all sacrifice themselves. The Sydney Symphony Orchestra, conducted by Charles Mackerras, performed an all. The first public concert in the Concert Hall took place on 29 September, 1973. Taking the South Indian classical dance form of bharatanatyam, with its intricate rhythmic footwork, geometric and dynamic movements and expressive prowess, Seeta Patel has created a compelling interpretation of Igor Stravinsky's iconic The Rite of Spring. The first opera performed was Sergei Prokofiev's War and Peace, on 28 September 1973, nearly a full month before the Opera House was officially opened by Queen Elizabeth II on 20 October.
Award-winning choreographer and dancer Seeta Patel marries Indian classical dance and Western classical music in her The Rite of Spring. Mostly Mozart Festival: Sydney Opera House Orchestra Conductor: Georg Tintner.
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